William Morris’ Nonsense from Nowhere

One of C.S. Lewis’ great literary conversation partners was William Morris. Lewis wrote literary criticism about him beginning in his first collection of essays (Rehabilitations, 1939, now in Selected Literary Essays). In that early literary essay, delivered first to the Martlet Society in Nov 1937,  his piece on William Morris was the one “into which I had put most of my heart, the one I really cared about and in which I discharged a keen enthusiasm” (“Fern Seeds and Elephants”; see also “On Criticism”).

This critical love of Morris began early. Before the age of 16, Lewis was able to make the grand statement that Malory was the master and Morris the disciple (see a letter to Arthur Greeves, 17 Nov 1914). Lewis saw Morris as one of the great mythopoeic writers of his age. We can see Morris’ influence on Lewis as early as his first attempt at writing an adventure story, his teenage “Quest of Bleheris,” which Lewis sent weekly to his best friend in 1916. Lewis praised “the cool water-colour effects” and “northern bareness” of Morris (“The Literary Impact of the Authorized Version”), and mentions him dozens of times in his letters.

Lewis’ teenage trinity of “M” writers—Malory, Morris, and MacDonald—was made complete when Lewis providentially stumbled upon Phantastes in March of 1916. Together, these three writers—filled in by Milton and some non-M writers like Dante, Swift, and Spenser—provided an imaginative landscape for his own worldview-infused fiction. In the end, as Lewis tumbled toward faith, Morris and MacDonald were the question and answer, respectively, on the question death and spirituality.

Lewis described William Morris this way in his teens: “besides being a poet [Morris] was a wall paper designer, a potter, a hand loom weaver and everything else you can think of” (letter to his father, 25 May 1915). It was the romances that most stuck with Lewis in the end—adventure stories of a high mythical air and significantly influenced by the late middle ages and its courtly love traditions. The Well at the World’s End is a brilliant example of that species, and a book worth picking up.

Because of the influence of Morris on Lewis (and on some of the other Inklings)—and, honestly, because Audible sent me a note saying I’d love this book—I downloaded News from Nowhere, his 1889 utopian fantasy. With a strong reader in Barnaby Edwards and a strong imprint upon C.S. Lewis and so many others, I looked forward to reading one of William Morris’ most famous works.

Honestly? This was a painful book to read. In a couple of weeks I will talk about how I avoid writing bad reviews, but I will break that rule today. This was a very poor book, and bad on a number of levels.

First, the book does not work as a story. I know that it is a philosophical novel, and that it is there not merely for entertainment but to treat a topic. I love philosophical fiction. The first rule of message-stories is that they should be great stories (unless they are satire, like Voltaire’s Candide, which is energized by its humour and wit). Albert Camus, Jean-Paul Sartre, Leo Tolstoy, Fyodor Dostoevsky, Mary Shelley, Umberto Eco, C.S. Lewis, Muriel Barbery, G.K. Chesterton, Ursula K. LeGuin, Søren Kierkegaard, Oscar Wilde, Margaret Atwood, and George Orwell all knew how to pique the intellect without losing the plot. While philosophical novels don’t always sit at the top of our fiction lists, notice that their authors often do.

William Morris fails utterly in crafting a narrative that is worth reading on its own. It ranks with Ayn Rand’s Atlas Shrugged and Left Behind by Tim LaHaye and Gerry Jenkins for its complete inability to tell a compelling story that is valuable as simply a story (though I did like some of the characters in each of these books). All of these moralistic tales give in to the expository demonNews from Nowhere is a blunt instrument in the hands of an intellectual demagogue. All of its dialogue has the tang of a sermon preached to trapped school children by a pedant who forgot to wind his watch.

This is not a compelling tale, and that is a great sin.

Second, Morris’ utopia is in many ways a nightmare. “Utopia” is a made-up word, coined by Sir Thomas More. Students are typically told that it comes from two Greek words: οὐ (“no”) and τόπος (“place”)—hence the title, News from Nowhere. I’ve never been convinced that this is the whole story, as the “u” in “utopia” might have come from Greek εὖ (“good”): “good place” is how many of us would translate “utopia,” and our pronunciation makes better sense this way. As an ambiguous pun, though, it works well in capturing the future (or other-worldly) land of plenty, hope, equality, and goodness.

Yet, does that place exist? I’m not sure that Thomas More was really blueprinting a great world or new Atlantis, but giving us an other-place to act as a mirror to our own place in the late 19th century. Ideological utopias often have a sour taste to those on the outside. I feel almost as good about Morris’ future socialist England as I do about the Citadel in The Hunger Games or Ayn Rand’s mountain retreat, where the rich sit and watch America burn. Though not as extreme, I got a sour taste from Morris’s future England because that world was made for me: the educated, middle class, nature- and architecture-loving bookish white male who enjoys getting his hands dirty in “real” work when time with texts become too much. I found Morris’ future startling because it sealed this certain image of white-male as king of the world as the ideal future inhabitant of Nowhere England.

Worse than a world where men and women work together in the struggle toward equality, Morris keeps women contentedly in their domestic spaces–sealed in with wax for all future political life.

That William Morris has no understanding at all of economics or sociology may be part of this. Morris constructs an idyllic future where people are scattered over the globe with large yards and grand (old-fashioned) houses, all requiring little maintenance in an ecosystem entirely open to this kind of human living. What he doesn’t mention (because he is clueless) is that his England must have cleaned out tens of millions of people with a reduction of human life greater than the two great wars that followed his book.

On top of this, his medievalesque utopian socialist society has been achieved with little loss of blood–and achieved equally throughout the world. Trusting a deal struck following riots in London would work for everyone in the entire world, people of all races, ideologies, religions, cultures, languages, dreams, and ambitions just voluntarily give up all belongings, weapons, power, social systems, and religion with a nostalgic shrug, then put their hands to the work of future building.

Wow. If this isn’t ignorance, then it is a frightening kind of knowledge in Morris. Lewis called it:

“The ‘kindreds’, ‘houses’, or ‘little lands’ of the romances are the points where Morris’s career as a socialist touches his career as a poet. For Morris–let there be no mistake about it–is in one sense as good a ‘totalitarian’ as ever came out of Moscow or Berlin…” (“William Morris” in Selected Literary Essays, 227).

Just read the passages where male and female roles are set in concrete in the future utopia: women are largely in place for the aesthetic pleasure of men, beautiful and entertaining (though with a striking deal of freedom and cultural equality), they are ultimately angels in the house for all ages. Or consider the way that children are simply a social experiment and what their parents do to them is inconsequential. And Morris was a pretty generous and progressive fellow; imagine if one of his misogynistic fellow socialist wrote this book.

News from Nowhere should remind us of the reality that we reflect the values of our times and places. Our own conservativism or progressivism (or anti- versions of these) is bound to be as shocking to a future generation as Morris’ “dream” for the future was to me.

Third, in reading News from Nowhere, I got the distinct sense that he had never met a live human being. William Morris reduces all bad things—from sin and violence, to the sluggishness of human invention, to unhappiness and even disease—to a single factor: the slavery of the contemporary socio-economic system which leverages power against the weak and reduces everyone (including its oppressors) to being bricks in a liberal democratic prison wall. In the end, crime is “a mere spasmodic disease, which requires no body of criminal law to deal with it.”

You can see the full quotation below that pulls this idea out in chapter 12. Morris even tests the case by speaking of a man who picked up an axe and murdered a sexual competitor in a rage. The community question is not one of discipline or education or whether the man has lost the right to live a healthy life while he has taken the life of another. Instead, their chief concern is how they might make the axe-murderer not feel too down. It is, after all, really depressing to kill a young person with his whole life before him.

A caution. Most of those who are reading this will come from partly socialist countries. Unlike dictatorships, communist countries, or fully socialistic societies, we balance a partially-open market with shared responsibility for particular social institutions. Most of us live in societies that share collectively most of the cost of roads, the military, childhood education, and some social safety net for the destitute or the disabled. The United States is outside of other G8 nations in its struggle to share basic health care, but offsets that with huge investments in military, farming subsidies, prisons, and (in past years) science and innovation. There is a lot of anxiety about how the Trump administration will change that balance of open-market socialism, but historically countries like the U.K., Germany, France, Japan, Canada, and especially the U.S. have created spaces of scientific ingenuity, social creativity, and a tempered space of equality.

It is important for people in societies like ours to read books like Atlas Shrugged and News from Nowhere for two reasons. First, they can inspire a moral disgust that will hopefully generate beautiful actions on our part. Second, the silliness of their philosophies are important cautions as we navigate between full socialism or complete libertarianism.

For I reject both socialist and libertarian views for exactly the same reason: I know my own heart. I asked before whether Morris had ever met a human, but has he ever even looked at his own heart? Does his heart, like mine, not contain a queer combination of ambition and timidity? sloth and an addiction to work? both violence and goodness that stirs my passions? I reject Ayn Rand on the right and William Morris on the left because both of their systems forget the critical truth of human nature—perhaps Christianity’s only scientifically verifiable creed—that people never meet their own standard of morality, let alone the hopes they have for the human community.

Historically, we have called this original sin or the fall or, in Paul’s terms, “the flesh.” But it amounts to the same: despite their significant benefits and important corrections to the fads of one generation or another–and I have sympathy with parts of each–libertarianism sacrifices the whole to the power of the few and socialism decimates the individual for the sake of the whole.

On the side of Morris’ socialism, all we have to do is look at the effect of welfare in our own world. For every success story where welfare has stabilized the desperate poverty of a family and lifted the next generation to amazing things, there is the story of a person who has disappeared into his welfare cheque, losing himself totally to cable TV, smoking cigarettes in a cheap, unventilated apartment until his lungs rot out of his chest and the yellow streaks of nicotine drip from the wall. Socialism can never account for the fact that removing the hungry nature of our work—that we are driven to good work and bad by the tares in our wheat—will always remove human dignity for some.

This is quite apart from the failed socialist experiments of the 20th century, which we have the luxury of knowing about though Morris cannot know. I remember visiting Venezuela in the late 90s and seeing its poverty. 20 years on and things are far worse. It isn’t often that we can use the word “decimate” in its proper sense when referring to an economy. It is a war zone, which is the ultimate reality of any pure socialist state (though doubtless families and communes can run on those terms). A true socialist state is only ever established or maintained by force, and we know of no national-level experiment where the few in comfort did not end up in control of the many back-bent poor.

The 21st century will teach us new things. Sometimes I go back and think about Chesterton’s Christian distributism—which got a nod in Screwtape’s toast. And the populism of the left and right in the Western hemisphere is adding a new dimension to how we engage in politics. But News from Nowhere, even in its own day, suffered from a stunning inability to know the heart of man–let alone the heart of humanity.

Besides its use as a cautionary tale, there were three redeeming features in the book. First, if you can excuse archaism where they don’t belong, he has a good way with words. Second, I thought the ending was quite nicely done. Third, it was mercifully short—just 200 or so pages in a cheap paperback.

Selection from News from Nowhere, chapter 12

“Well,” said I, “that is understood, and I agree with it; but how about crimes of violence? would not their occurrence (and you admit that they occur) make criminal law necessary?”

Said he: “In your sense of the word, we have no criminal law either. Let us look at the matter closer, and see whence crimes of violence spring. By far the greater part of these in past days were the result of the laws of private property, which forbade the satisfaction of their natural desires to all but a privileged few, and of the general visible coercion which came of those laws. All that cause of violent crime is gone. Again, many violent acts came from the artificial perversion of the sexual passions, which caused overweening jealousy and the like miseries. Now, when you look carefully into these, you will find that what lay at the bottom of them was mostly the idea (a law-made idea) of the woman being the property of the man, whether he were husband, father, brother, or what not. That idea has of course vanished with private property, as well as certain follies about the ‘ruin’ of women for following their natural desires in an illegal way, which of course was a convention caused by the laws of private property.

“Another cognate cause of crimes of violence was the family tyranny, which was the subject of so many novels and stories of the past, and which once more was the result of private property. Of course that is all ended, since families are held together by no bond of coercion, legal or social, but by mutual liking and affection, and everybody is free to come or go as he or she pleases. Furthermore, our standards of honour and public estimation are very different from the old ones; success in besting our neighbours is a road to renown now closed, let us hope for ever. Each man is free to exercise his special faculty to the utmost, and every one encourages him in so doing. So that we have got rid of the scowling envy, coupled by the poets with hatred, and surely with good reason; heaps of unhappiness and ill-blood were caused by it, which with irritable and passionate men—i.e., energetic and active men—often led to violence.”

I laughed, and said: “So that you now withdraw your admission, and say that there is no violence amongst you?”

“No,” said he, “I withdraw nothing; as I told you, such things will happen. Hot blood will err sometimes. A man may strike another, and the stricken strike back again, and the result be a homicide, to put it at the worst. But what then? Shall we the neighbours make it worse still? Shall we think so poorly of each other as to suppose that the slain man calls on us to revenge him, when we know that if he had been maimed, he would, when in cold blood and able to weigh all the circumstances, have forgiven his manner? Or will the death of the slayer bring the slain man to life again and cure the unhappiness his loss has caused?”

“Yes,” I said, “but consider, must not the safety of society be safeguarded by some punishment?”

“There, neighbour!” said the old man, with some exultation “You have hit the mark. That punishment of which men used to talk so wisely and act so foolishly, what was it but the expression of their fear? And they had need to fear, since they—i.e., the rulers of society—were dwelling like an armed band in a hostile country. But we who live amongst our friends need neither fear nor punish. Surely if we, in dread of an occasional rare homicide, an occasional rough blow, were solemnly and legally to commit homicide and violence, we could only be a society of ferocious cowards. Don’t you think so, neighbour?”

“Yes, I do, when I come to think of it from that side,” said I.

“Yet you must understand,” said the old man, “that when any violence is committed, we expect the transgressor to make any atonement possible to him, and he himself expects it. But again, think if the destruction or serious injury of a man momentarily overcome by wrath or folly can be any atonement to the commonwealth? Surely it can only be an additional injury to it.”

Said I: “But suppose the man has a habit of violence,—kills a man a year, for instance?”

“Such a thing is unknown,” said he. “In a society where there is no punishment to evade, no law to triumph over, remorse will certainly follow transgression.”

“And lesser outbreaks of violence,” said I, “how do you deal with them? for hitherto we have been talking of great tragedies, I suppose?”

Said Hammond: “If the ill-doer is not sick or mad (in which case he must be restrained till his sickness or madness is cured) it is clear that grief and humiliation must follow the ill-deed; and society in general will make that pretty clear to the ill-doer if he should chance to be dull to it; and again, some kind of atonement will follow,—at the least, an open acknowledgement of the grief and humiliation. Is it so hard to say, I ask your pardon, neighbour?—Well, sometimes it is hard—and let it be.”

“You think that enough?” said I.

“Yes,” said he, “and moreover it is all that we can do. If in addition we torture the man, we turn his grief into anger, and the humiliation he would otherwise feel for his wrong-doing is swallowed up by a hope of revenge for our wrong-doing to him. He has paid the legal penalty, and can ‘go and sin again’ with comfort. Shall we commit such a folly, then? Remember Jesus had got the legal penalty remitted before he said ‘Go and sin no more.’ Let alone that in a society of equals you will not find any one to play the part of torturer or jailer, though many to act as nurse or doctor.”

“So,” said I, “you consider crime a mere spasmodic disease, which requires no body of criminal law to deal with it?”

“Pretty much so,” said he; “and since, as I have told you, we are a healthy people generally, so we are not likely to be much troubled with this disease.”

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Why I Don’t Write Bad Book Reviews

Though I do not review every book that I read, I do like to highlight a few. In particular, I like to draw attention to books that readers of A Pilgrim in Narnia—in particular, students of C.S. Lewis and the Inklings—may not know but are worth their while. I especially like to highlight indie and small-firm books when they overlap with my core conversations (the intersections of faith, culture, and fantasy). My reading of weightier work I might treat with literary criticism—as I have with Jane Austen, J.R.R. Tolkien, Charles Williams, Ursula K. Le Guin, Stephen King, and C.S. Lewis—or I might let it slide. Of the writing of book reviews there is no end, after all.

Now that I’ve brought it up, long-term readers may notice that I haven’t done a review of a book that was not worth reading. I’ve tried to note disagreements or weaknesses in each substantial review—and may have been a bit heavy-handed in earlier work—but I only treated with material that was worth your time and mine.

There are other limitations to my reviews. Thinking back, it is interesting that I haven’t reviewed most of the most important materials in Fantasy or Inklings Studies. Others will do that, and I don’t feel the need retread someone else’s tires. I am also very focussed now in my reading: I have a thesis to write, and a very specific schedule for the next two years. I say “no” to most publishers who contact me for a review. I simply cannot change my schedule, and will not accept a review that I can’t do an excellent job on.

Part of it is pickiness in my own work, and part of this is my own agenda. I want my reviews:

  1. To be so well written that authors would include a snippet on a website or book cover;
  2. To challenge readers to consider adding the book to their queue;
  3. To enhance my reputation as a reliable voice on books (i.e., don’t break the blogger-reader covenant);
  4. To honestly treat the material, including weak points; and
  5. To make the author’s day.

That’s my agenda, and it is clear that poor reviews don’t fit well with some of those points. My reasoning for not reviewing poor books is a little deeper. Here’s why I don’t tend to write bad book reviews.

I Don’t Have Time to Spend Reading Bad Books

Early on in my C.S. Lewis scholarship days, I asked a senior scholar that I trusted what to do with weak books. Honestly, books about C.S. Lewis are quite often weak, and sometimes atrociously redundant and uncreative. There was a flurry of book publishing right around the time that The Lion, the Witch, and the Wardrobe landed on film. If I didn’t respect books so much, I would use some of the cute Lewis-devotional material of the period to stabilize old coffee shop tables downtown.

My academic mentor challenged me quickly on this point. “Why would you bother?” he said. Then, pressing the point, he asked me: “Why bother even reading bad books? Are you short of reading material?” I am not short of things to read, and so I now no longer spend time reading bad books unless I have to.

I Don’t Want to Advertise Poor Work

Not all press is good press, but there is a certain truth to the “legitimation” that happens in negative critiques. I don’t engage with trolls because it feeds them; likewise, I don’t review bad books because it highlights the work. Though it isn’t true that the drudge will settle to the bottom and good taste win out—the 50 Shades, Left Behind, and new atheist phenomena are proof of this—the act of reviewing states to the world that I think this is, at least, a real book. I don’t want to do that and I don’t want to waste readers’ time.

The Making of Enemies is Tiresome

Isn’t it? Maybe not for you, or Sherlock, but when I am involved in a controversy, I get this pit in my stomach and I feel my body worrying. Who wants enemies in a world as isolating as ours?

More than that, the scholarship communities of C.S. Lewis, J.R.R. Tolkien, Charles Williams, and theology and literature are both small and supportive. Lewis Studies is almost too supportive, so that when an idea comes up that needs to be debated—like Michael Ward’s Planet Narnia thesis, the Lindskoog Affair, or the work of outsiders like A.N. Wilson or John Beversluis—the air in the room can get a bit weak. The Lewis Studies community needs critical scholars but does not have much capacity for negativity for the sake of negativity. I will give that scholarly critique, but I need the support of scholars I disagree with in this small academic world. I can’t afford to make enemies, though I am open to some Archenemies. Inquire within.

It is a Negative Age

Besides, are we below quota on negativity? Hardly. American and British culture is drowning itself in divisiveness, drinking in the draughts of extremism like a thug steeling himself for a barfight. I wrote this before someone stole young life in Manchester or the President went out to fix the Middle East. These are the flashpoints of a culture of negativity that begin at my keyboard and yours. Why would I contribute to that?

I am not naturally an optimist and am a very dim dreamer. In the digital spaces I occupy, though, I have chosen the path of intellectual generosity. This is one of the most endearing features of my late-millennial students—that, combined with a curiously unfounded hope. I would like those features to be part of my scholarly work and my writing. I am a realist: things are bad in many ways. But there is brightness and beauty and originality, and I would like to highlight those points when I can and in my own little way.

Authors are Humans (at least, for now)

Until the robot apocalypse becomes fully realized, most of what we read will be written by humans. There are doubtless fraudsters and intellectual floozies, hopping on the trends of the day and churning out books because they will sell. Most writers, though, are not like that. They pour heart and soul into a book, spending months working pennies on the dollar to get their material (or their name) into print.

This is true even of authors whose work is crud and whose ideas are bosh. I remember reading an interview with Stephanie Meyers, the person responsible for Twilight. I actually read this book as I tried to understand what the young women I taught were reading. I was bored, and, honestly, I thought Meyers was too. Yet, she showed great vulnerability in this interview, showing me a dimension of humanity I had not seen. She was doing her best and I don’t have much need to speak into that part of her life.

I have warned readers of a poor product or an unfounded thesis or a very poor audiobook reader. Mostly, though, I keep my critiques to academic publications (which hardly anyone reads!).

I Might Be Wrong

Well, there’s that, isn’t there? I have been wrong, before. Ask my wife. Or my kid. Or my students. Or … you get the idea.

Part of this might be a matter of taste. I read Michael Phillips’ The Garden at the Edge of Beyond. That was a painful read for me, and I only finished it because C.S. Lewis and George MacDonald are main characters, and we owe Phillips a deep debt of gratitude for his work in getting MacDonald into the public’s hands. I did not like this floral American rewriting of The Great Divorce.

But I might be wrong about the book’s essential qualities. My antipathy to allegory and American Christian pop fiction may simply have overwhelmed my critical mind. Given the positive ratings on Goodreads, that might be the case. And I might be wrong about this academic thesis or that historical argument or those theological ideas. I have an academic world to work out those critiques; I don’t need to use blogging as a platform for my own ignorance or narrow-mindedness.

These are the reasons why I don’t do bad book reviews. Now I’d like to hear from you. What do you think of this approach? Am I pulling punches too much? Am I missing critical opportunities? Are reviews of bad books just better to read? Let me know your thoughts here in the comments, on Twitter (@BrentonDana), or on Facebook.

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John Lawlor on C.S. Lewis’ “The Allegory of Love”

The Allegory of Love … is a work which has all the authority of a mind of the highest quality marking out clear paths in a complex and absorbing mass of material. As such it effortlessly joins company with that very small class of books for which a future can be confidently predicted. They are those works which handle a large subject—large not in range, merely, but in significance to the human spirit—with a pioneer’s skill, marking out new country and leaving an indelible impression for all subsequent settlement of the area. They can be wrongheaded in approach or mistaken in detail; but they must not be so much accounts of literature in the past as themselves instances of literature in being.

When Anatole France spoke of literary criticism as recording the adventures of the soul among masterpieces he doubtless had something of the sort in mind. Alas! from the ordinary output of criticism we can only conclude that there are some very dull souls about. Yet there is a rare category of works of criticism that justifies the aphorism. One thinks of Bradley’s Shakespearian Tragedy, Ker’s Epic and Romance, John Livingston Lowe’s Road to Xanadu, to name no others. Each is a book which not only shows great powers of penetration and organizing skill; each succeeds in communicating the activity of a mind of the highest quality entirely intent on the material before it, to which it is giving new and distinctive shape. Let us describe these books in one word: they are in the highest degree readable.

Lewis’s The Allegory of Love surely belongs in any such classification. There is a luminous intelligence of the first order at work—an angel who writes as only Lewis could, humorously, graphically, and with an exalted seriousness. To be sure, there are things to be disputed, in Lewis’s book as in all the others of its distinguished class. Lewis was the first to point them out…. But, as with the other works I have listed, here is a book, obedient to the first rule of writing—that on every page it asks to be read. How many extended works of literary criticism are truly unputdownable? It is the severest test; and The Allegory of Love triumphantly survives it.


From John Lawlor, C.S. Lewis: Memories and Reflections (1998). Prof. Lawlor was an undergraduate student of Lewis’ and a graduate student of J.R.R. Tolkien. This review was written near the end of his life, on the 100th anniversary of C.S. Lewis’ birth. It begins a section that describes the strengths of The Allegory of Love in detail, and puts it in the context of Lewis as a scholar who was writer worth reading. You can see my full review here. The italics in the text are original, but I added the bold highlighting and changed the paragraphing a little.

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Fund King Arthur’s Return!

I’m pleased to be a part of the team that created this innovative book, The Inklings and King Arthur, edited by the intrepid Sørina Higgins. Most people wouldn’t know that academic books are a labour of love. They don’t make any money for the authors, and not a tremendous amount for the publishers (who rely on superstar academics and textbook sales to support the important works that only sell a handful of copies). When we do archival and recent history and literature, there can be additional costs. Here is your chance now to contribute in a small way to this important work on how the Arthurian tales were taken up and reused in J.R.R. Tolkien, C.S. Lewis, Charles Williams, and their friends.

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On Reading Calvin’s Institutes as a Non-Calvinist

As I come from a non-Calvinist tradition I have never read the foundation of the Reformed tradition, Institutio Christianae Religionis, or Calvin’s Institutes. My theological training was biblical studies, history, and literature, so I never spent much time in Calvin beyond his commentaries. As I am halfway through a PhD in theology, I thought it was time to read one of the most influential thinkers of the West, and one of the seminal minds behind the American religious scene today.

One of my teachers, J.I. Packer, used to chide students into getting over their prejudice of these old, foundational books. C.S. Lewis calls us to read old books in order to have an informed conversation with culture that won’t be in danger of getting lost in today. Actually, when it comes to John Calvin, Lewis pressed the point further: “And tho’ I’m no Calvinist I wish people who write about Calvin wd. read the Institutio first” (Letter to Dorothy L. Sayers, July 4th, 1957). So, thinking of Tyndale and my teachers, I put my hand to the plough.

John Calvin, a French lawyer, was one of the earliest of the great theologians to break from Roman Catholicism (in 1530, 13 years after Luther’s 95 Theses). He wrote many commentaries, sermons, and letters, but his magnum opus was the Institutes. He spent 25 years writing this book, beginning as a pamphlet in outline and finishing as a complete Protestant primer by 1559 (in Latin; 1560 in French). At the time, Latin was the lingua franca of Europe, used for trade, scholarship, and religious debate. Though Calvin’s French version was as foundational to the development of Modern French as the King James Bible was to English or Luther’s Bible was to German, and though it is still quite readable in the 21st century to a basic French reader like me, I chose to read an English translation of the Latin by Henry Beveridge (1845)—mostly because I had a copy and was too cheap to buy a new one.

Here are the more surprising lessons I learned as a non-Calvinist reading this great (in most senses of the word) book of theology.

Calvin is really offering a third way.

Some critical thinking could have led me to guess this was the truth, but I think I had reduced Calvin to an anti-Catholic writer in my head. Calvin was trying, though, to chart a complex centre line through the controversies of the first generation of Protestants. In many issues, there are “two classes of opponents to be guarded against…” (IV.14)—here speaking of those who undervalue the sacraments and those who attribute too much to the sacraments. Calvin’s reformation is against Catholicism, but he is also trying to avoid what he sees as excesses among Anabaptists, Millenarians, Unitarians like Servetus, and radical folks like Thomas Müntzer and Andreas Karlstadt. While the Intistutes might seem to us super strict, they were partly written to reduce unnecessary rigour and what Calvin saw as overly selective readings of Scripture.

Calvin was attempting an Augustinian recovery.

Often, Calvin will list his argumentative pattern like this: This proof is confirmed by examples and passages of Scripture, by reason, and by the authority of Augustine. While Calvin is less interested in a balanced “three-legged stool” of Scripture, tradition, and reason—as, say, Anglicans are—he calls upon Augustine and the fathers of church tradition on nearly every page. Calvin’s admiration of Augustine is no secret, and part of his restoration is to point out that with critical exceptions, Augustine’s reading of Scripture and theology is both a true and helpful critique of the Western church.

Some of this might be a rhetorical tool, using the greatest Catholic theologian against Catholics. But Calvin did not use all those rhetorical tools. Despite writing what looks to me like a scholastic book in the spirit of Aquinas, Ockham, and Duns Scotus, Calvin speaks often of the “errors of the Schoolmen.” Augustine was particularly important to Calvin, and one of the reasons that all kinds of evangelical thinkers are returning today to Augustine is because Calvin has opened that door so widely. I don’t think there can be anything more precise than this:

“Augustine … we quote more frequently, as being the best and most faithful witness of all antiquity…” (IV.14).

Calvin isn’t as antisemetic as some other reformers, but he has little understanding of the Jewish context of the 1st century Christian emergence.

One of my great disappointments in writing a thesis on antisemitism was deep-seated prejudices against Jewish people in the context of the period and in the reformers’ writings. Luther himself gives a pretty good outline of how to perpetrate ethnic cleansing against Jewish people, and the perpetrators of the Holocaust had good support from Luther in building the antisemetic attitudes of Germans. While the Holocaust was not a Christian event—Hitler drew on popular science, Nietzsche, folk tales, Norse mythology, pagan intimations, and ideas of the Christian west—European Christians have a great deal of blood on their hands for the fate of the Jews.

Calvin, though, is not especially responsible for this blood-guilt. There are some tiresome stereotypes and clichés in Calvin, such as the Catholic/Jewish legalistic parallel, and the idea of Jewish corruption at the time of Christ. Despite this, Calvin affirms again and again that the Hebrew covenant was based upon God’s grace.

Moreover, most of the truly vociferous ideas about Jews are absent in Calvin. And while he does so ignorantly, Calvin makes generous connections between the church and synagogue that would have made some reformers and 19th century liberal theologians uncomfortable. Unfortunately, though, Calvin never took the time to understand the world of Second Temple Judaism, and so understand exegesis within the emergence of Christianity from Judaism.

If you read his other works, you will see that he did not have a very high view of Jews of his world. In the classic text of the Institutes, however, he chose not to seal in that experience to the degree that others of his day did.

Calvin was a better lawyer than pastor, and a better polemicist than anything.

Calvin was a great polemicist, and his writings are a significant foundation of slam poetry of later ages. Perhaps his best drop-the-mic moment is at the end of his chapter on civil government (IV.20), where he ends this way: “I have, in some measure, deprived these asses of their lion’s skin.”

Bam! Calvin was great at this, equating those who disagree with the minions of Satan and the doctrines of sacrament different than his as “made void by the infidelity or malice of men” by those who “ignorantly and erroneously … cast forth the body of Christ to be eaten by dogs” (IV.17).

Not a terribly subtle fellow. At least he makes these insults in high fashion: “in the present day so many dogs tear this doctrine with envenomed teeth, or, at least, assail it with their bark” (I.17). That is some fine use of imagery right there.

Being a great polemicist does not make Calvin a great pastor. Providence and predestination are pastoral doctrines, but the way that Calvin wields the swords of pen, church discipline, and statecraft serve to sever rather than repair the bond of Christ. As he admits himself, complexities can be “a Gordian knot, which it is better to cut than to lose so much labour in untying” (IV.19). One of Calvin’s great mistakes, I think, is that of human psychology. The way he treats his opponents—and here I mean more than fine words, but his comfort with capital punishment against ideas—shows the need for redemption in his pastoral theology.

Polemicists play an important role in working out straight thinking across time and space, but it is up to Calvinist pastors today to reshape their pulpit ministry as a partial critique of Calvin.

Against every possible evidence to the contrary, Calvin thought the Institutes was a brief book.

This is a thick book. My copy is a thin 944 pages of smallish type, but Goodreads editions run up to 1822 pages and usually in 2 or 4 volumes. Besides a number of prefaces and a postlude of 100 aphorisms, there are 84 chapters divided into four books. In English, there are about 700,000 words—longer even than any Stephen King book or The Lord of the Rings (with Silmarillion and The Hobbit). To read this book in 3 months—a chapter a day—it would require on average an hour a day. However, some of the chapters are much longer: II.8, III.2, III.4, and IV.17 are all 2-3 hour reads. Calvin’s chapter on prayer—which is, incidentally, my favourite non-controversial chapter and a good treatise on the topic—took me well over three hours.

Yet, Calvin apologized a number of times for being too brief, culminating around the 350,000th with the audacious claim that he has a “natural love of brevity”–and, even more–“perhaps, any attempt of mine at copiousness would not succeed” (III.6).

No, Calvin, you would not be successful in trying to write a long, detailed, complete treatise.

Calvin was funny, but not very often.

It took until the last lines of the super long chapter of III.4 before I had any evidence that Calvin had a sense of humour. The chapter is cleverly titled, “PENITENCE, AS EXPLAINED IN THE SOPHISTICAL JARGON OF THE SCHOOLMEN, WIDELY DIFFERENT FROM THE PURITY REQUIRED BY THE GOSPEL. OF CONFESSION AND SATISFACTION.” In this chapter (which is as long as some books), he takes a pretty critical dig at a Pseudo-Augustinian work which some were passing off as authentic and building doctrine upon this “book absurdly compiled by some rhapsodist, alike from good and bad authors.” Then he says,

“Wishing to save my readers trouble, they will pardon me for not searching minutely into all their absurdities. For myself it were not very laborious, and might gain some applause, to give a complete exposure of dogmas which have hitherto been vaunted as mysteries; but as my object is to give useful instruction, I desist.”

After 545 pages that struck me as funny. Not very funny, though. Really the funniest parts are the insults throughout and his own sense that he was being brief (see above).

I still like Calvin better than Calvinism.

There is quite a debate about “Calvin vs. Calvinism,” and I must admit that a lot of my reaction against Calvinism was due to his earliest followers and some recent public Calvinists. The idea of TULIP, though, is there in the Institutes—though not in a clever, memorable form. Calvin was, for the most part, a Calvinist.

And, yet, I still liked reading this book better than reading Charles Hodge, B.B. Warfield, John Piper, and Wayne Grudem. Even then, it was a long dry book, which is probably why I turn to Calvinists like J.I. Packer, Stanley Grenz, Marilynne Robinson, Dallas Willard, and Eugene Peterson more often. Perhaps the really interesting point here is not about Calvin but about me: it looks like I prefer literary, apologetic, communal, and pastoral theologies to systematics. That’s probably true.

I should have bought a modern translation.

I chose to read a cheap public domain edition, but if I ever do so again it will be a more contemporary translation. The standard edition today was edited by John T. McNeil and translated by Ford Lewis Battles—an Oxford student that impressed C.S. Lewis. J.I. Packer summed up the major translations:

“No English translation fully matches Calvin’s Latin [1560[; that of the Elizabethan, Thomas Norton [1561], perhaps gets closest; Beveridge [1845] gives us Calvin’s feistiness but not always his precision; Battles [1960] gives us the precision but not always the punchiness, and fleetness of foot; Allen [1813] is smooth and clear, but low-key.”

I will miss the feistiness of Beveridge, but would like to sit with a pencil in hand and enjoy it next time without thinking about all those obscure -ate verbs we lost long ago in verb form (like arrogate, abominate, irradiate, obviate, vitiate, actuate, inculcate, supplicate, promulgate, propitiate, intimate, abrogate, expiate, execrate, extenuate, expostulate, derogate, vacillate, and, of course, predestinate). And the word concupiscence, which I had to look up.

I agreed more with Calvin than I thought.

I speak of rereading this text—a thought that never entered my skull until the fourth book. My disagreement with Calvinism runs deep, and has to do with hermeneutics, exegesis, a philosophy of time, and a psychology of the human person. I think Calvin is a pretty consistent systematician based on his understanding of how to read the Bible and his ideas about the world. It is there where we disagree, so much of what he says I disagree with.

And yet this reading was valuable. His Augustinian recovery is essential, and he can help evangelicals re-remember sacramental theology. A number of the chapters should be assigned reading in theology programs outside of the four- and five-point Calvinist schools. He is a great thinker with a broad and lively mind.

Moreover, he is lacking almost any subtlety whatsoever. There is nothing cloaked in Calvin. I am not a convert, but I am one who thinks this is an important text to read—even for Catholics and non-Calvinist Protestants. It is also important to recognize that in God’s wisdom Calvin’s work looks little like Scripture itself, and we are called to work in a complex book of diverse voices and ages. Taken critically, Calvin can be one of our guides in this project and I was pleased to submit my mind to his teaching for a little while.

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