Tag Archives: Joy Davidman

The Women That Changed C.S. Lewis’ Life

If your experience of C.S. Lewis is only Mere Christianity, Time magazine covers, or a struggle with Susan Pevensie in Narnia, no doubt your most striking image of Lewis will be that of the Oxford Don in shabby tweed surrounded by old books … Continue reading

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George Watson’s Provocative Comments on C.S. Lewis as Literary Critic

One of the advantages of finding new libraries is that the librarian’s skill of book-buying is more art than science. The librarians I know, despite their adept use of analytics, have as much curator or architect in them as they … Continue reading

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C.S. Lewis’ “Till We Have Faces” is Today’s Daily Deal on Audible

Just a quick note. C.S. Lewis’ classical myth retold, Till We Have Faces, is the Audible.com “Daily Deal.” Most audiobooks run between $10 and $20, but Audible has a membership system. The gold level runs $15 a book, while the platinum … Continue reading

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A Final Letter from Arthur C. Clarke to C.S. Lewis

I am roaming the stacks at the Marion E. Wade Center in Wheaton, IL. This is the premium North American archive for C.S. Lewis, J.R.R. Tolkien, and others in the 20th c. Christian literary movement in and around Oxford. There … Continue reading

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Reconsidering the Lindskoog Affair

Perhaps no figure has caused as much tension in the community of C.S. Lewis scholars and fans as Kathryn Lindskoog. In 1978, shortly after the publication of C.S. Lewis’ The Dark Tower and Other Stories, Walter Hooper found his editorial … Continue reading

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C.S. Lewis’ Curmudgeonly Essay

If you were to judge only from the pieces he published in December 1957, you would assume that C.S. Lewis was a classic case, get-off-my-lawn, wide-jawed, beslippered, well aged, first class curmudgeon. In 1955, he had published a clever piece … Continue reading

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On Telling People’s Stories: Thoughts with Abigail Santamaria on “Joy”

I have just finished reading a biography on the life of a minor American poet who had an affair with her professor and bullied her way through her first editorial job. She was a radical Marxist who used her film … Continue reading

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