The Hundred Acre Wood: (Stuffed) Animals in Literature (The Plunge Podcast with Derek Holser)

Happy spring Monday dear readers! I’m hardening off my tomato and pepper seedlings as I work on a plan to combat invasive Japanese beetles before they can shred my Bing Holla! cheery tree, which is now in flower. The days have grown longer, and my crop of dandelions thrives in what is generously called my “lawn.” A fat bee is humming from yellow to yellow on my lawn. The natural world calls as it wakens from winter slumber. It’s time to head back to the 100 Acre Wood.

What was your first exposure to Poohdom? How did Poohicity appear in your life? What was the earliest thump, thump, thump sound of Winnie-the-Pooh tumbling into your life?

For me, there were some Disney Pooh books lying around, and a little later, the Disney animated show appeared. What I first remember, though, was a reading of Winnie-the-Pooh on CBC radio when I was very little, sitting in the back of our Datsun on a weekend drive. The audio reading brought Mr. Shepherd’s drawings in Mr. Milne’s slim volumes to life for me. The pen-and-ink sketches filled with colour, as it were–an experience that came back to me when a late 90s audio adaptation appeared (though you can hear in the podcast below, I might have confused some of the actors).

Once again, I’ve had the privilege of joining Derek Holser on The Plunge Podcast. After meeting Derek at a George MacDonald conference at Yale, I joined him for his Tolkien’s Greatest Characters series, talking about Samwise Gamgee (for obvious reasons). Prompted by another guest in the “Animals in Literature” series, Derek invited me to talk about Winnie-the-Pooh. We chat about the characters–classic Pooh, fretful Piglet, lumpy Eeyore, and Rabbit, who can spell Tuesday–but I was particularly interested in the 100 Acre Wood as a fictional world.

The pod includes lots of nonsense, of course, and a good amount of fun. Some of this blue-sky chatter about rooted things, however, is heartwarming. I hope it echoes the tug of homely nostalgia that the original series of stories evoked in its readers.

And, of course, I talk about the Canadian connection! And you can see my punk son at 8 months sitting at the feet of Winnie’s statue–one of Canada’s roadside wonderlands. Direct link is here, and you can click YouTube or Spotify below the description. I hope you enjoy!

The Hundred Acre Wood: (Stuffed) Animals in Literature with Brenton Dickieson

Welcome to Episode Twelve in our Animals in Literature series. Today’s conversation features a fun, nostalgic, endearing discussion of Christopher Robin and his friends in The Hundred Acre Wood, created by A.A. Milne. Today’s guest is returning Plunge favorite and great friend, Brenton Dickieson. Brenton is a father, husband, friend, university lecturer, and freelance writer from Prince Edward Island, Canada.

As the author of more than 1,100 articles, blog posts, and reviews, Brenton has worked as a freelance author, columnist, and policy writer for Canadian magazines and the government of Prince Edward Island. As a theologian of literature, Brenton writes the popular website, A Pilgrim in Narnia, which explores the intersections of faith, fantasy, and fiction. With more than 1.1 million website hits and a yearly readership now exceeding 200,000, more than 8,000 social media followers, and significant networks within the scholarly and readerly worlds of C.S. Lewis and the Inklings, Brenton has a powerful platform for considering the literary, spiritual, and theological interest of some of our most famous world-builders, including C.S. Lewis, J.R.R. Tolkien, L.M. Montgomery, and others.

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About Brenton Dickieson

“A Pilgrim in Narnia” is a blog project in reading and talking about the work of C.S. Lewis, J.R.R. Tolkien, the Inklings, L.M. Montgomery, and the worlds they created. As a "Faith, Fantasy, and Fiction" blog, we cover topics like children’s literature, myths and mythology, fantasy, science fiction, speculative fiction, poetry, theology, cultural criticism, art and writing. This blog includes my thoughts as I read through my favourite writings and reflect on my own life and culture. In this sense, I am a Pilgrim in Narnia--or Middle Earth, or Fairyland, or Avonlea. I am often peeking inside of wardrobes, looking for magic bricks in urban alleys, or rooting through yard sale boxes for old rings. If something here captures your imagination, leave a comment, “like” a post, share with your friends, or sign up to receive Narnian Pilgrim posts in your email box. Brenton Dickieson (PhD, Chester) is a father, husband, friend, university lecturer, and freelance writer from Prince Edward Island, Canada. Check out my Linktree: https://linktr.ee/brentondickieson
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4 Responses to The Hundred Acre Wood: (Stuffed) Animals in Literature (The Plunge Podcast with Derek Holser)

  1. Kaleb's avatar Kaleb says:

    My first encounter with Pooh came through my mom, who was an avid collector of memorabilia from the Disney animations. Most of that stuff has gone now but I still have the four books in my library. It took quite a long time for me to actually read them. I believe I read Narnia and Lord of the Rings before ever reading the original Winnie-the-Pooh. Lol

  2. David Llewellyn Dodds's avatar David Llewellyn Dodds says:

    I think I started with a 45 rpm record with the Heffalump chapter. Much later I was delighted to encounter a recording of Robert Tear singing Harold Fraser-Simson settings of Pooh (and other) Milne songs and poems – and happily find a great variety of recordings on YouTube, now. En famille, we not only delighted in reading both Pooh books aloud till memorized (or nearly), but in audiobooks by Charles Kuralt – and even more by Nigel Hawthorne (who clearly knew his Fraser-Simson settings) – and the splendid Pooh references in Yes Minister, for that matter.

    • David Llewellyn Dodds's avatar David Llewellyn Dodds says:

      Also, thanks to YouTube, we have long delighted in the (Soviet!) Russian ‘Vinni Pukh’ cartoon versions.

  3. firewater65's avatar firewater65 says:

    For many years, I was an only child whose friends were mostly of the nonliving variety, so the Pooh stories resonated with me. However, the idea first took root in my head through reading the Patrician Scarry book Waggy & His Friends, which I never realized was an homage or rip-off of A.A. Milne.

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