I’m pleased to say that my family is attending the University of Prince Edward Island’s Wind Symphony performance tonight. 7 or 8 years ago, the Wind Symphony did elements form the Howard Shore soundtrack of the Peter Jackson Lord of the Rings films. This year, the show will include Johan de Meij’s Symphony No. 1 “The Lord of the Rings” from the late 1980s. Johan de Meij’s interpretation includes five movements: Gandalf, Lothlorien, Gollum, Journey in the Dark, and Hobbits, which intriguingly reorders the narrative to highlight two aspects of J.R.R Tolkien’s work: the mythic, personal, and whimsical elements of character and space in the Middle-earth legendarium. As much as I love the LOTR soundtrack, returning to pre-Peter Jackson interpretations take me back to the texts, to think about character choices, landscape, adventure, and the slimmest glimmer of hope in the Fellowship’s plan.
Here is the full announcement followed by the “Hobbits” movement, performed by the Amsterdam Wind Orchestra (which includes themes repeated from the rest of the symphony).
UPEI Wind Symphony presents The Lord of the Rings
The UPEI Wind Symphony, under the direction of Dr. Karem J. Simon, will be performing a full recital of contemporary wind band music on Friday, November 24 at Park Royal United Church in Charlottetown. With performances in recent years at local Churches – St. Dunstan’s Basilica and Zion Presbyterian – the Wind Symphony is continuing a tradition of performing beyond campus. The exceptional acoustics of Park Royal will make this performance memorable, and the seating capacity will allow for all Wind Symphony supporters to attend.
The center piece of the program is Dutch composer Johan de Meij’s Symphony No. 1 “The Lord of the Rings”. It is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The movements include GANDALF (The Wizard); LOTHLORIEN (The Elvenwood); GOLLUM (Sméagol); JOURNEY IN THE DARK; and HOBBITS. The symphony was written in the period between March 1984 and December 1987 and has garnered many awards.
Soloist for this recital is UPEI’s sessional Saxophone Professor, Dr. Nicole Strum. A recipient of numerous Canada Council for the Arts grants and winner of the 2008 Canadian Federation of University Women Creative Arts Award, Nicole’s artistic focus is the interpretation and performance of contemporary repertoire. For her performance with the Wind Symphony, Dr. Strum will be playing Charles Rochester Young’s Concerto, a virtuosic work in three movements – fast, slow, fast – that showcases the saxophone’s technical facility, lyrical qualities, and emotional spectrum.
Vincent Persichetti’s Psalm for Band will also be featured. It is a contemplative work that utilizes the soloistic and corporate colour of the modern wind band. Persichetti, an American, was known for the highly developed contrapuntal writing of his compositions.
Comprised mostly of UPEI music majors, the Wind Symphony has been critically acclaimed for its performance standard and innovative programming. During the past nineteen years the Wind Symphony has produced an annual compact disc featuring selected repertoire from each year’s performances. Cathedrals, released in May 2010 received the 2011 Music PEI Award for Best Classical Recording. In February 2011 the Wind Symphony released its O Canada CD, a project exclusively for PEI public schools. Its most recent compact discs including Freebirds, Lincolnshire Posy, Magnolia Star, and Singularity have been highly acclaimed.
Tickets for this performance at $15 Adults and $10 Students may be acquired at the UPEI Music Department and at the admissions desk the evening of the recital.
A Pilgrim in Narnia 
The LotR soundtrack is actually part of my running playlist. It gets me through the roughest of patches and highest of hills.
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I listen to it less often. I can listen when working because all I think about is the movie scenery that matches the music.
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Good for them, and I’m glad you got to hear it, live! I think it was some of the earliest Tolkien-inspired instrumental music I ever heard – though I may have heard excerpts from the BBC Radio dramatization even earlier, with very enjoyable music by the late Stephen Oliver.
We later happily ran into a good buy on a boxed set of CDs of that dramatization (I think, at Half-Price Books) and have listened to it over and over, with the music a great part of the pleasure. (Cross-referencing your following post, it is worth checking your public library, in case they have a copy, for those who don’t know it.)
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It was great live. The wind symphony was hot–and included several of my past students and my son’s music teacher at school and his piano teacher. Very cool overall. The sax voicing of Gollum (by Nicolas’ teacher) was awesome.
Believe it or not, I’m not sure I have a CD player….
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Some computers still have the capacity to play CDs, although I get the impression this is getting less common (!).
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Ah, I just found one! I knew there must be one in the house.
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Hurrah!
I expect someone has written about it, but I have not read about it, in terms of the relation to musical traditions of tone poems of place (like, for example, Holst’s evocation of Hardy’s ‘Egdon Heath’ or Griffes’s of Coleridge’s ‘Pleasure Dome of Kubla Khan’) and of character-study (as in Liszt’s ‘Dante Symphony’), and of the use of the leitmotif.
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By the way, have you read the very interesting guest-post by Peter Gilliver about the composer, Frederick Tolkien (1848–1939), JRRT’s first cousin once removed?:
https://johngarth.wordpress.com/2017/08/21/tolkien-the-opera-composer/
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Thanks for the tip. I heard something else from Gilliver on facebook. The background to Tolkien is starting to fill in a bit.
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