Following a successful event last week–a great conversation with Miriam Davidson on “nonviolence” in The Lord of the Rings–I wanted to send a quick update on the three Signum University Thesis Theatres on The Lord of the Rings and Tolkien’s Legendarium that I previously announced. Our Signum University master’s students have the opportunity to write a thesis at the end of their degree program, exploring a topic of their choice. The “Thesis Theatre” is their opportunity to present their research to a general audience, tease out some of the implications of their work, and answer questions from the audience. The three projects I announced create a nice set for Tolkien fans: a literary motif, a social question, and a study of the power of words:
- Tomorrow, Wednesday, June 1st, 12noon: Jacob R. Schreiner, “The Logos of Faith: Sub-Creation through Speech-Acts in Tolkien’s Legendarium” (free registration link: click here)
- Last week, Miriam Davidson provided an excellent presentation on her thesis, “The Sword Not for its Sharpness: Nonviolent countercurrents in Tolkien’s Epic of War”
- Emily Austin successfully presented her thesis, “The Road Gives Ever On: Following the Road Motif in The Lord of the Rings,” on Saturday, May 21st
Below is the description and free registration link for the last of these three Thesis Theatres. I hope you can join us tomorrow for a great discussion. Beneath that announcement, I include the Thesis Theatre Youtube video links of each session (followed by some other thesis theatres I have hosted).
Jacob R. Schreiner, “The Logos of Faith: Sub-Creation through Speech-Acts in Tolkien’s Legendarium”
Date: Wednesday, June 1st
Time: 12pm noon Eastern
Free Registration Link: click here
Host: Dr. Brenton Dickieson
Abstract: J.R.R. Tolkien’s theory of sub-creation has long been studied within his legendarium, and how humanity, being created by God, has the desire to imitate the Creator through sub-creation. However, what is the connection between God’s command for the universe to Be and humanity’s ability to sub-create? This thesis examines logos as “word” and “reason” in creation and its relationship to sub-creation through the investigative lens of speech-act theory. According to J.L. Austin and other speech-act theorists, when one speaks, it is not merely to say words, but by the act of speech, one performs, which produces consequential effects by the speaker. In The Silmarillion, Ilúvatar’s original speech-act brought all of creation into being and allowed the Ainur to sub-create within Arda according to the logical reason and design of the universe and by the word, “Eä!” The same is true in Middle-earth. Frodo and Sam harness the power of the logos in their speech-acts, and in prayer as a speech-act, by having faith, they can sub-create through language and bring about physical changes within their world.
Bio: Jacob R. Schreiner holds a Bachelor of Arts degree in English from Sam Houston State University. His first conference presentation was at TexMoot in 2019 where he presented his paper “God of War and the Norse Oral Storyteller,” and later that year presented at Mythmoot VI on “’What a worm’s made for!’: The Cure to Conquering Dragons in C.S. Lewis’ Pilgrim’s Regress and Voyage of the ‘Dawn Treader.’” At Mythmoot VII, Jacob presented his paper, “A Light for Hobbit Feet: Moral Choices that Defy Darkness in Children’s Fantasy.” His research interests include fantasy, especially the works of J.R.R. Tolkien, speech-act theory, and Germanic philology. Jacob currently runs a blog called The Tolkienian where he analyzes the works of Tolkien, fantasy, and science fiction.
Recent Thesis Theatre: Miriam Davidson, “The Sword Not for its Sharpness: Nonviolent countercurrents in Tolkien’s Epic of War”
Abstract: The Lord of the Rings highlights Tolkien’s use of characters and narrative to accentuate the courage and honor earned by those who sacrifice themselves in combat. His plot demands, and often justifies, violent action. The people of Middle-earth will not stand by as Sauron works to enslave and kill the free folk. Still, there is a clear and consistent emphasis on the cost and devastation these violent engagements bring. Tolkien’s narrative strongly warns against the lust for power and the will to dominate others while elevating the importance of grace, forgiveness, and not striking without the gravest of need. War victors should be magnanimous, offering reconciliation and forgiveness to the defeated rather than destruction, slavery, or crippling reparations. Discovering the tensions at play between the honor of war and its human devastation, this thesis explores the countercurrents of nonviolence in Tolkien’s The Lord of the Rings. These countercurrents ultimately demonstrate that Tolkien’s representation of war and nonviolence is impacted by his literary mode, educational background, personal beliefs, and exposure to war.
Bio: Miriam Davidson has been practicing as a forensic psychiatric nurse practitioner in the Department of Corrections for the past 15 years. She has a deep-rooted love for fantasy literature and pursued a MA degree to expand and strengthen her reading and writing skills. With the help of her husband and dogs, she spends her free time restoring a 200-year-old lighthouse in Downeast, Maine.
Recent Thesis Theatre: Emily Austin, “The Road Gives Ever On: Following the Road Motif in The Lord of the Rings.”
Abstract: The Lord of the Rings makes prominent use of “The Road” as a multifaceted symbolic image, but roads also play a more subtly powerful role in the text as a tool of narrative description. Tolkien’s stylistic treatment of roads and paths builds on his longstanding interest in the concept, visible in many earlier writings. In The Lord of the Rings, attention to the characters’ roads as they journey is a recurring motif that becomes particularly central for Frodo and Sam on the way to Mount Doom. This paper uses close reading and digital text analysis to identify four principal ways this narrative attention to roads can manifest, and examines how they undergird and enrich the concept’s thematic significance.
Bio: From an early age, Emily Austin has loved both reading and the visual arts, and pursued ways to combine these interests. Her favorite authors, particularly J.R.R. Tolkien and Jane Austen, shaped both her literary tastes and her artistic imagination, and they continue to provide both academic interest and inspiration for art projects. Born and raised on Oahu, Hawaii, Emily now lives in Indiana with her husband Ryan and runs a business creating art, illustration, and graphic design. Besides reading and painting, Emily also loves travel, photography, and sewing.
And here are some previous Thesis Theatres that I’ve been pleased to host:
