The Words C.S. Lewis Made Up: Rebunker

C.S. Lewis was an acclaimed children’s writer, setting the stage for generations of children’s books that speak in a new way to kids and adults with curious minds. Behind this children’s work was C.S. Lewis’ experience as a teacher of English literature, a writer about the history of literary movements, and a tinker in other forms of fiction. In that tinkering, and in his letters and essays, he didn’t mind creating new turns of phrase when it was needed. This is the third in the series on words that C.S. Lewis coined. You can read the introduction and the first article here and the second piece here.

Rebunker (rē-bəNG-kər)

Essays Presented to Charles Williams is a remarkable book. It is a meeting of the Inklings and their friends between two boards, bound to the page but playing with ideas that would have an impact. Meant as a gift to their friend Charles Williams, it became a memorial volume instead. And if T.S. Eliot—a dear friend of Williams—had completed a piece as he intended, more than just a few of us may remember it still.

Beyond Lewis’ preface to the volume is remarkable for his characterization of Williams:

In appearance he was tall, slim, and straight as a boy, though grey-haired. His face we thought ugly: I am not sure that the word ‘monkey’ has not been murmured in this context. But the moment he spoke it became, as was also said, like the face of an angel (Essays Presented to Charles Williams, ix).

While Lewis was moved by Williams’ charisma more than his simian architecture, he was also struck by his facility with fireside literary criticism:

He delighted to repeat favourite passages, and nearly always both his voice and the context got something new out of them. He excelled at showing you the little grain of truth or felicity in some passage generally quoted for ridicule, while at the same time he fully enjoyed the absurdity: or, contrariwise, at detecting the little falsity or dash of silliness in a passage which you, and he, also, admired. He was both a ‘debunker’ and (if I may coin the word) a ‘rebunker’. Fidelia vulnera amantis (Essays Presented to Charles Williams, xi).

Lewis loved this “double-sidedness” in Williams, and I find myself wanting to become a rebunker myself.

The Latin phrase Lewis slid in at the end of that part of this eulogy is perhaps best translated as, “the wounds of a lover are faithful” (or, loosely, “lovers are vulnerable to one another”). Williams’ ability to play with the authors he read came from a deep well of respect, and we see that respect Lewis has for Williams. Anyone who wants to understand The Four Loves needs to read this preface. Anyone who wants to read the work of a rebunker (and remythologizer) should turn to Williams’ strange thrillers from the 1930s-40s. “Rebunking” might be the best name for the genre that holds all of Williams’ disparate works together.

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Stranger Thing Season 2, October 27

Stranger Things season 2 drops this weekend. I’m not the only one who is excited. Stranger Things won the Best Ensemble Drama at the 2017 Screen Actor’s Guild Awards, as well as MTV’s TV Show of the Year and a few Emmys. Clearly, the most important Emmy Awards were:

  • Best Stephen King story not written by Stephen King; and
  • Best Steven Spielberg film not directed by Steven Spielberg.

And who can forget the hilarious Wynona Ryder reaction to David Harbour’s hyperbolic SAG acceptance speech, where he called on us all to face down the Demigorgans of our world and punch them in the face that they simply do not have. Or words along that line.

It isn’t just people that give out weirdly naked statues to well-dressed people that are interested in Stranger Things. Our favourite monster man himself stepped out of his Maine hideaway to praise the show.

According to the Washington Post, 70% of people who started the show finished the entire season–a staggering number in a drive-thru television age. It is the 3rd most popular series on Netflix, and I suspect that season 2 will inspire a strong re-watching/new fan response.  Add to this internet hype, #ImWithBarb and other twitter campaigns, and a slough of 80s-style Hallowe’en costumes for sale, and it is evident this show is a hit.

Beyond those high-end accolades of the Hollywood elite and the groundswell of popular support, this show is just simply cool. I’ve been chomping at the bit to show Stranger Things season 1 to my son. We have finally begun, finishing s01e04, “The Body,” on the weekend. This show is just so good–even for kids today who haven’t read Stephen King and haven’t lived in the era that the show is set in. Beyond nostalgia and intertextuality, we have great characters, beautiful design, and a sleuthy SF/Fantasy/Supernatural mystery that a great 80s Loser’s Club-Scooby Gang need to solve–with lives on the line.

Stranger Things 2 is the first show I want to binge watch. It launches on Friday, and sadly we won’t be done season 1 by then! Ack! The sorrows of a fan’s life.

Beyond sheer goodness, Stranger Things was hot enough to call for the ridiculous: a 90-minute talk hosted by two scholars and a community of great readers. Last year, during the Signum University webathon day, I joined @TolkienProf Corey Olsen, President of SignumU, for a great chat about Stranger Things. We talked about that bit of nostalgia and intertextuality, but most of the conversation was about the construct of the speculative universe.

Here’s the link to that video. I hope you are queuing up for season 2–after all, despite 90 minutes of conversation and 8 episodes, we still don’t really know what Stranger Things is about. See you on the other side.

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The Words C.S. Lewis Made Up: Charientocracy

C.S. Lewis was an acclaimed children’s writer, setting the stage for generations of children’s books that speak in a new way to kids and adults with curious minds. Behind this children’s work was C.S. Lewis’ experience as a teacher of English literature, a writer about the history of literary movements, and a tinker in other forms of fiction. In that tinkering, and in his letters and essays, he didn’t mind creating new turns of phrase. This is the second in a series on words that C.S. Lewis coined. You can read the introduction and the first article on Bulverism here.

Charientocracy (ker-ē-en-tä-krə-sē or kär-en-tä-krə-sē)

C.S. Lewis was one of the earliest users of the word “technocracy”–a word that was important in our thinking about the world wars and more recently in the way that technology seems to be worming its way into our patterns in a deep, deep way. In that WWII context, Lewis is in concerned in The Abolition of Man and in essays about an “omnicompetent global technocracy”:

Technocracy is the form to which a planned society must tend. Now I dread specialists in power because they are specialists speaking outside their special subjects. Let scientists tell us about sciences. But government involves questions about the good for man, and justice, and what things are worth having at what price; and on these a scientific training gives a man’s opinion no added value. Let the doctor tell me I shall die unless I do so-and-so; but whether life is worth having on those terms is no more a question for him than for any other man (“Is Progress Possible” = “Willing Slaves of the Welfare State,” responding to C.P. Snow’s “Man in Society”)

This is not Lewis’ only concern about how power operates. Lewis thinks about an “angelocracy,” and in the unfinished, posthumously published “A Reply to Professor Haldane,” talks about theocracy–the idea that God or the gods are truly in power through an individual or a group of people:

Theocracy is the worst of all governments. If we must have a tyrant a robber baron is far better than an inquisitor. The baron’s cruelty may sometimes sleep, his cupidity at some point be sated; and since he dimly knows he is doing wrong he may, possibly repent. But the inquisitor who mistakes his own cruelty and lust of power and fear for the voice of Heaven will torment us infinitely because he torments us with the approval of his own conscience and his better impulses appear to him as temptations (also in “A Reply to Professor Haldane”)

Lewis repeats the sentiment in “Lilies that Fester,” asserting that:

“All political power is at best a necessary evil: but it is least evil when its sanctions are most modest and commonplace, when it claims no more than to be useful or convenient and sets itself strictly limited objectives. Anything transcendental or spiritual, or even anything very strongly ethical, in its pretensions is dangerous and encourages it to meddle with our private lives.”

In the end, though, Lewis does not think that a theocracy in England is remotely possible. So rather than be concerned with “theocracy,” Lewis is concerned about what he calls “Charientocracy”:

“not the rule of the saints but the rule of the charentes, the venustiores, the Hotel de Rambouillet, the Wits, the Polite, the “Souls,” the “Apostles,” the Sensitive, the Cultured, the Integrated, or whatever the latest password may be” (“Lilies that Fester”).

This may take some explaining, and the meaning might not be certain. Though I would not leave out the possibility that Lewis is making a sardonic pun on the Latin word “caritas” (deep personal love, now called Charity), Charientocracy probably comes from the Greek word for “grace.” Lewis may be using it here as in the higher graces someone in polite society is able to deploy.

We see this from another neologism in the passage, the “Venustiores”—a Latin adjective meaning “the charming ones.” I think “Charentes” probably goes back to Pineau des Charentes, a posh product from a French region that also exports premium cognac. The rest of the words are just names Lewis found lying around for high brow culture. We might add pop culture phrases like the elite, the literati, the cognoscenti, plutarchs, the glitterati, the 1%, or even—depending on how your world works—the people from X Avenue or Club Y. In my area, it vacillates between wealthy folk in Brighton who have political and financial power, and the inside crowd that frequents the farmers market and whose members smell faintly of honey, good earth, and marijuana smoke. One group has the structural power, but the other a kind of social power.

Lewis’ concern was really when those two groups coalesced. It is a bare fact that as older social orders disappear, “we find all sorts of people building themselves into groups within which they can feel superior to the mass; little unofficial, self-appointed aristocracies” (“Lilies that Fester”). When the social elite and the economic elite find each other, Lewis was certain that it would be the end of art, for children would be put to good use in their education. They wouldn’t be allowed to simply discover poetry or play in nature, but would be taught to evaluate it. If Wordsworth were born in this sort of technocratic culture, he would be put to useful writing and may never have found the words that changed the world.

That is Charientocracy, a greater social danger in contemporary post-religious society than theocracy ever could be because it turns the human into a product of a socio-economic machine. The dehumanized person then disappears from the inside out.

It is difficult to imagine that Lewis didn’t have foresight into our own age.

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The Words C.S. Lewis Made Up: Part 1: Bulverism

As far as I know, Lewis never used the phrase, “wordsmith.” When it comes to writing, he preferred images of stone, greenery, and song to metaphors of fire and steel. Yet there were times that Lewis turned to the forge to shape just the right word or phrase for his purpose.

It is valuable to pay attention to the words that C.S. Lewis made up, what the 16th century stylist Roger Ascham condemned as “strange and inkhorne[1] tearmes” (English Literature in the Sixteenth Century, 277). Ascham disliked these neologisms because they “make all things darke and harde,” but I find that the perfect new word has a way of bringing immediately to mind the force of the idea. J.R.R. Tolkien’s made-up word, “eucatastrophe,” is perhaps one of the richest neologisms of the 20th century. “Neologism”—literally, “new word”—is itself a term made up for the purpose in the 1770s.

Because Lewis saw himself as a translator of ideas, he did not often make up new words. But he did not dislike neologisms. I doubt it is a coincidence that when describing Alexandre Dumas’ made-up word, demi-monde, he said that Dumas was trying “to name a shadowy region on the fringes of the monde which had had no name before” (Studies in Words, 267). While Ascham thought that newfangled[2] words were dark and hard, Lewis thought Dumas used one to bring light to the shadows.

In literary terms, what shadow-chasing did Lewis attempt by forming new words from the materials at hand? Each week this fall, I will highlight a word or two–or sometimes a small phrase–that Lewis reforged from his own word-hoard to create exactly the verbal tool he wanted. In his essays and letters, Lewis would sometimes coin a word–to borrow the image of the mint that Lewis sometimes used–though occasionally that new word existed obscurely elsewhere in English. Today, we’ll begin with one of Lewis’ more robust neologisms, Bulverism.

Bulverism (bəl-vər-iz-əm)

You may not have heard of Ezekiel Bulver simply because he never existed. In his “biography of an imaginary inventor,” Lewis describes how young Ezekiel’s destiny was sealed when he overheard his parents arguing. His father was certain that two sides of a triangle are together always larger than the third. His mother responded with the tu quoque, “Oh, you say that because you are a man.” Upon this knockdown argument, E. Bulver had an epiphany:

“…there flashed across my opening mind the great truth that refutation is no necessary part of argument. Assume that your opponent is wrong, and then explain his error, and the world will be at your feet. Attempt to prove that he is wrong or (worse still) try to find out whether he is wrong or right, and the national dynamism of our age will thrust you to the wall.” That is how Bulver became one of the makers of the Twentieth Century (God in the Dock, 273).

This is “Bulverism,” a crucial move by poor debaters, pop psychologists, twitter evangelists, ideologues at large, and new generation politicians. The Bulveristic move is used to ignore the key steps of an argument and strike at the “real” issue: what sort of social moments or psychological factors make me certain the other person must be wrong? “Bulverism” as a phrase never stuck, though it is one of the only of Lewis’ made-up words to have its own Wikipedia entry , perhaps because it clarifies certain kind of logical fallacy. Despite its disappearance from the cultural word-hoard, Lewis was clearly prophetic on this point. We live in a Bulveristic moment of history, confirmed almost every time you hear phrases like “left-wing radical,” “fake news,” or “white male.”

Of course, I am probably just saying this because I’m a man.

[1] This was a new word as a metaphor when Ascham used it. Wycliffe used it in his translation of Ezek 9:11 in the 1380s, but Ascham’s usage here is earlier than the first OED metaphorical usage listing of 1577.

[2] In usage by the late 15th century.

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Elf compounds

Tolkien_ConcordanceFor today’s Friday Feature, I am delighted to share with you one of the nerdiest Tolkien projects I know about. The Tolkien Concordance is Sparrow Alden’s brainchild, where she uses lexinomic data analysis to look for trends within Tolkien’s usage of words in The Hobbit. In particular, she has created 1,534 entries of uncommon words in The Hobbit–specifically, words outside the 10,000 most common words on Project Gutenberg. I know! That’s an amazing number of entries! I have been interested in how to play with Tolkien’s legendarium for a while, and am excited to see where this will go in the future. I will leave you to explore the hundreds of entries, and find little treasures like graphs, games, contests, and onomatopoetic findings.

signumLogo_100Sparrow did this project as part of her MA Thesis at Signum University, and has created a powerful tool that can be used by researchers, but can also be expanded and taken in new directions in the spirit of Digital Humanities scholarship. She presented some of her research in the 2015 Signum marathon fundraising day, which I’ve included here.

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