Tag Archives: N.K. Jemisin

N.K. Jemisin’s Super Strange Urban Apocalypse in The City We Became: Part 2: The City I Can’t Become (Blogging the Hugos 2021)

Posted on December 9, 2021 by Brenton Dickieson

N.K. Jemisin is clearly one of the science fiction greats of the generation. Time will tell if she will stand with the all-time greats, like H.G. Wells, Robert A. Heinlein, Ray Bradbury, Arthur C. Clarke, Isaac Asimov, Frank Herbert, Ursula … Continue reading →

Posted in Blogging the Hugos, Fictional Worlds, News & Links, Reviews | Tagged allegory, apocalyptic literature, Frank Herbert, H.G. Wells, Hugo Awards, Isaac Asimov, N.K. Jemisin, New York City, Octavia E. Butler, Philip K. Dick, Postcolonial literature, racism, Ray Bradbury, Robert A. Heinlein, Science Fiction, speculative fiction, The City We Became, urban fantasy, Ursula K. Le Guin, William Gibson | 16 Comments

N.K. Jemisin’s Super Strange Urban Apocalypse in The City We Became: Part 1: The Allegory That is Born (Blogging the Hugos 2021)

Posted on December 7, 2021 by Brenton Dickieson

I first encountered N.K. Jemisin’s “Great City” series in her bracing, breakneck-speed short story, “The City Born Great,” which (in an edited form) is the prologue to The City We Became. Jemisin is one of this generation’s great speculative fiction … Continue reading →

Posted in Blogging the Hugos, Fictional Worlds, News & Links, Reviews | Tagged allegory, apocalypse, apocalyptic literature, Hugo Awards, N.K. Jemisin, New York City, Postcolonial literature, racism, Science Fiction, speculative fiction, The City Born Great, The City We Became, urban fantasy | 8 Comments

Mary Robinette Kowal’s The Relentless Moon and the Lady Astronaut Universe (Blogging the Hugos 2021)

Posted on November 10, 2021 by Brenton Dickieson

If the history of Mary Robinette Kowal’s Lady Astronaut Universe were the same as the one that you and I share, I would be writing to you as a dead man. I suppose, even in terms of timeline, I might … Continue reading →

Posted in Blogging the Hugos, Reviews | Tagged Black Sun, Hugo Awards, Lady Astronaut Universe, Martha Wells, Mary Robinette Kowal, N.K. Jemisin, Network Effect, owen barfield, Piranesi, Rebecca Roanhorse, Susanna Clarke, Tamsyn Muir, The City We Became, The Relentless Moon | 16 Comments

Blogging the Hugos 2021 (Series Launch)

Posted on November 8, 2021 by Brenton Dickieson

It isn’t often that I get a popular novel as it first finds its way into the world. I’m usually years behind in my TBR and motivated to find new books by book clubs and upcoming classes and film adaptations. … Continue reading →

Posted in Blogging the Hugos, Fictional Worlds, News & Links, Reviews | Tagged Black Sun, Canadian literature, Eye of the World, George R.R. Martin, Gideon the Ninth, Harrow The Ninth, Lady Astronaut Universe, Margaret Atwood, Mark Sampson, Martha Wells, Mary Robinette Kowal, N.K. Jemisin, Neil Gaiman, Network Effect, Piranesi, Rebecca Roanhorse, Rebecca Rosenblum, Robert Jordan, Science Fiction, Susanna Clarke, Tamsyn Muir, The City We Became, The Handmaid's Tale, The Testaments, Wheel of Time | 4 Comments

Three Myths Retold: Madeline Miller’s Song of Achilles, Margaret Atwood’s Penelopiad, and C.S. Lewis’ Till We Have Faces

Posted on July 20, 2021 by Brenton Dickieson

While I love the Odyssey, I always dread returning to The Iliad. I just find all the war and posturing and characters to be ash and dust and thorn for me, just weariness and work and pain. The moments of greatness within … Continue reading →