What I Want from AI

Artificial intelligence is all the rage these days. While there is good reason to doubt the truthfulness of the title, GenAI–generative artificial intelligence–public attention is deeper than the media, either the social or unsocial kind. In my world, writers, artists, teachers, content providers, and designers are in some degree of distress. The first wave of 2020s AI has gobbled up a googolplex of pages of original content and republished it without consent or credit in billions of images, essays, and answers to inane questions. And with plagiarism, there is always job displacement–and I would humbly suggest that as a class, free-range artists, writers, and academics are on rocky economic ground.

Some of this is not new. Our digital platforms have been shaping us in myriad ways for years. For example, autocorrect just corrected my “googolplex” and changed it to Googleplex.

However, teachers are facing the peculiar challenge of nearly untraceable plagiarism in the classroom. And the classroom is now a hybrid space, a digital chimera of the post-Information Age. I have caught a number of students using AI translators or writers to do portions of their work. In this situation, I observe that the classroom door is an almost magical device: it works both to invite students in for learning and to send them into the world, prepared or not. As it was snowing fiercely here in Prince Edward Island this morning, I suspect that some students will choose to engage meaningfully rather than be sent out with a Plagiarism Badge into a Canadian Winter of inflationary discontent.

With all of these factors in mind and seeing the potential of many emerging AI tools for research and teaching, our brilliant Inquiry Studies team at UPEI set to the task of redesigning the Autumn curriculum. We set the theme as “Smart Digital Engagement,” and rewrote our foundation-year course to shape students as inquirers who can develop a healthy relationship with AI, learn to choose the right tool for the right job, and discern the frenetic voices of social culture.

Autocorrect just changed my “phrenetic” to “frenetic.” Interesting.

Along with the thousands of teachers who are struggling to discern a good path in the jungle of AI implications, we are doing our best to figure out how to engage well.

As a science fiction nerd, though, I must admit that I find little of this “sudden technological leap” surprising. Nor are the implications new. Honestly, we have been reading and writing about the possibilities and implications of human-machine hybridity for generations. The loss of one’s humanity in one’s human activity is a theme that goes back to the ancients, including the Bible. Even culture-watchers who are not SF nerds should see the signs: In North America, we have bred functionalism into the DNA of our children; is it any surprise that when given the chance, students are apt to choose function over art, ethics, or identity? We left the path of wisdom some time ago when we decided that the heart of man was composed merely of walls, cavities, atriums, and valves.

Note that autocorrect did not correct my Latin there. It also has not been correcting my homonym errors, which are pro-fuse.

Beyond ethical and spiritual implications, there is the sheer question of technique. What tools will we have access to?

And it is here that I go from thinking, “I’m glad that everyone is suddenly interested in science fiction and philosophy,” to, “Come on, already! Why are the tools so slow in coming?”

Seriously, I want my own version of J.A.R.V.I.S.–before his incarnation, of course. The sarcastic butler voice is a bonus, provided my AI tools can effectively become my executive assistant, life coach, conversation partner, debate opponent, database manager, research assistant, and grammar-checker who, by all the gods of tin and wire, can actually learn from me as a writer.

I am desperate for all of this right now. But of course, I’m an avid reader of dystopia fiction. I won’t sell my soul until I know who the masters are. After all, I leave a socioecological footprint on this planet with my life, and that has now been twinned by my digital footprint. There are highwaymen waiting in ambush on the hedges of each identity road.

In preparation for our fall term, we were reflecting on how AI tools can be helpful. I have been playing with tablet apps, and so I decided to make a poster of my own need for digital enhancement tools. It is very much a “me” thing, and I thought it was worth sharing–not least because I have not done that much writing and sketching on paper since the 1900s. I am still working on my handwriting neatness, but the tablet is a digital tool that works for me in this age of screens that, like doors, work both ways.

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About Brenton Dickieson

“A Pilgrim in Narnia” is a blog project in reading and talking about the work of C.S. Lewis, J.R.R. Tolkien, the Inklings, L.M. Montgomery, and the worlds they created. As a "Faith, Fantasy, and Fiction" blog, we cover topics like children’s literature, myths and mythology, fantasy, science fiction, speculative fiction, poetry, theology, cultural criticism, art and writing. This blog includes my thoughts as I read through my favourite writings and reflect on my own life and culture. In this sense, I am a Pilgrim in Narnia--or Middle Earth, or Fairyland, or Avonlea. I am often peeking inside of wardrobes, looking for magic bricks in urban alleys, or rooting through yard sale boxes for old rings. If something here captures your imagination, leave a comment, “like” a post, share with your friends, or sign up to receive Narnian Pilgrim posts in your email box. Brenton Dickieson (PhD, Chester) is a father, husband, friend, university lecturer, and freelance writer from Prince Edward Island, Canada. You can follow him: www.aPilgrimInNarnia.com Twitter (X) @BrentonDana Instagram @bdickieson Facebook @aPilgrimInNarnia
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6 Responses to What I Want from AI

  1. danaames's avatar danaames says:

    Sounds like much of what you want is “management” of data, paperwork, communications. This just indicates to me how much “things” have taken over our lives. There is a significant amount on your lists that help connect you to people, but I think vast numbers of folks who aren’t as thoughtful as you will overlook these kinds of applications. Communication with loved ones is good, but writing and telephoning are the means to accomplish that, and I think teachers are going to have to move to oral and proctored exams.

    If I have Luddite tendencies, it’s because I can’t stomach The Machine (capital T and M) that stands against everything good and meaningful and only wants Power and Management.

    I’m glad you’re writing more regularly!

    Dana

    Liked by 1 person

    • Thanks for the note, Dana. The ability to write is slowly coming back. Really, the ability to write a few good words instead of a slurry of explanations.
      Yes, management–if I had a staff, I’m sure I could be a great worker!
      And I agree about the potentials for what I’m talking about. Screwtape’s team no doubt has some demons on it.

      Liked by 1 person

  2. ChrisC's avatar ChrisC says:

    DI don’t think I qualify

    Liked by 1 person

  3. Dana’s reference to The Machine makes me wonder if she has been listening to, or reading Paul Kingsnorth. I find myself strangely drawn to his work, not least because we went to the same school in England a few miles west of London. Perhaps there is something in the air around High Wycombe because the pessimistic conservative philosopher, Roger Scruton, also went to the same school as did the rock musician Ian Dury. When I mentioned this last reference to an experienced session musician who was also a fellow alumnus he replied that he knew Ian Dury. “He was a hardcase!” he commented.
    Paul Kingsnorth has withdrawn to a few acres of land in the heart of Ireland where he seeks to practice a new found Christian faith and to write about the Machine. He has recently spoken of his attraction to the Desert Fathers and Mothers of 4th century Egypt and Syria and spent a night in an ancient hermits cave near his home to celebrate his 50th birthday. A local farmer’s wife recently told me about a cave on her land and asked if I would like to visit it. I feel strangely drawn.
    There is a little plot of land just by our cottage that it might be possible to rent from its owner. Not even the burden of ownership, of buying and selling. As I draw near to my 70th year and to retirement from formal employment I also feel drawn to this land.
    The Desert Fathers and Mothers sought to flee the world and to seek for God. In a modern way of seeing this I would also like to find my true self and to live at peace with what I find. I at least will know that what I write is truly my own work and perhaps people will come and find me. I love to talk and would find too much silence a little difficult.
    As I write this Lear’s speech to Cordelia comes to mind as he cheerfully contemplates their future imprisonment together. The world does not leave them alone for very long. At the very least I will be listening to my own daughters as they speak of trying to navigate the world you describe. Because I believe in God I believe that they will find a way. As Sam Gamgee said of Gandalf, whatever lay in store for him he did not think it would be the belly of a wolf. Not any kind of wolf. Even a robotic variety.

    Like

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